Caught In The Path
What natural disaster do former Democratic Book President Harry Truman* and conservative radio talk show host Melanie Morgan* have in common? What catastrophic weather event broke open the lives of both business tycoon Sam Walton* and Byrds guitarist Gene Clark*?
Anyone who's kept an anxious eye on a churning sky or felt the power of the wind against their house knows the fear the possibility of tornadoes generates. Anyone who's taken shelter from a tornado knows that fear never goes away. Caught In The Path reminds us that while this happens to us as individuals, we also experience it as a community.
On the evening of May 20, 1957 the Ruskin Heights tornado, a seventy-one mile long, F-5 twister tore into the communities of Ottawa and Spring Hill, Kansas, Martin City, Grandview, Hickman Mills and Ruskin Heights, Missouri, leaving 39 dead and 531 injured. It rearranged the lives of everyone who crossed its path, including the author's. Carolyn Glenn Brewer lived in the heart of Ruskin Heights, the first post-World War II tract housing development in the Kansas City area, and everything about her 1950s childhood was normal until that night. Then, like a sinister alien the tornado dropped out of a troubled May sky and twisted its way into her life, and the lives of her family and neighbors, forever.
Through narratives and eyewitness accounts, the stories of survivors tell in heart-breaking detail what it was like to lose schools, churches, local shops, the institutions that define a community, and their determination to rebuild. Horrifying accounts of exploding houses, airborne cars and of children pulled from their parent's arms juxtaposed with logic-defying and physics-challenging tornado artifacts tell us just how capricious these storms are.
- *Former President Harry Truman's grandparent's Grandview, Missouri farm bordered the tornado's path.
- *Melanie Morgan's family lived in Ruskin Heights across the street form the high school. She was nine months old at the time and suffered a severed toe. She is now a conservative radio commentator in San Francisco.
- *Sam Walton owned the Ben Franklin store in Ruskin Center, his second in a long career. It was completely destroyed by the storm.
- *Gene Clark, singer in the 60s rock group, the Byrds, (Tambourine Man) lived just northwest of the Ruskin segment of the tornado's path. As a ten-year-old the sight and sound of the tornado made him deathly afraid of storms.
Caught Ever After
On a spring evening in 1957, just days before school was scheduled to let out, hundreds of unsuspecting children found their lives altered forever by an F-5 tornado. Known as the Ruskin Heights Tornado, this monster not only destroyed lives and property along its seventy-one mile path, but it undermined the security and trust of its youngest survivors. In an era when children were not encouraged to analyze their feelings, many of these survivors carried unanswered questions and fears with them into adulthood.
Caught Ever After tells the story of how a fifty-year reunion and memorial rededication brought back neighbors and classmates to share memories, some for the first time. It lays bare the impressions, misconceptions and anger the tornado left in its wake. Through memories and family stories, it examines the questions of survivors - author Carolyn Glenn Brewer among them - and how this tornado's children continue to cope.
Carolyn Glenn Brewer's book Caught In The Path told of that horrifying May night through the eyes of adults. That was only half the story.
One Song Beyond Hope
Poss: Tension created during the moment before a decision is made, a tune has begun, or history shifts.
Fusion band, Ruby Slipper, just weeks away from a recording contract, is stunned by the death of their trumpet player and leader, Steve Bradshaw, at the U.S. Embassy in Saigon during the Tet offensive. His replacement, a maverick Eugene McCarthy supporter, causes more problems than he solves.
While the band decides how to move on, Steve's sister, comfortable with her choices up to now, must do the same. Susan Bradshaw is committed to the band, and reluctantly, this new member. She owns the Lawrence, Kansas farm house where the band lives, and her long-time boyfriend is an original Ruby Slipper player, yet she's moving toward her own career as a photojournalist. When she uncovers a troubling stash of her grandmother's World War I photos, letters and a YMCA entertainer diary, she's both inspired and disturbed by their surprising content.
Ruby Slipper lands in Chicago during the 1968 Democratic Convention just as Susan discovers a connection between her grandmother's fifty-year-old secret correspondence and her brother's death. Against the backdrop of riots and emotional crisis, she must reconcile her family's history and get past Poss, to decide her own future.
Changing The Tune
The Kansas City Women's Jazz Festival
Even though ripples caused by the potential passage of the Equal Right Amendment had cracked glass ceilings across the country, jazz remained a boys' club. Two Kansas City women, Carol Comer and Dianne Gregg, challenged that inequitable standard. In 1978 they emphatically proved jazz genderless by creating the Kansas City Women's Jazz Festival (WJF) thereby changing the course of jazz history.
With the support of jazz luminaries Marian McPartland and Leonard Feather, inaugural performances by Betty Carter, Mary Lou Williams, an unprecedented All-Star band of women, Toshiko Akiyoshi's band, plus dozens of Kansas City musicians and volunteers, a casual conversation between two friends evolved into an annual event.
Melba Liston came out of retirement to play at WJF. The International Sweethearts of Rhythm reunited after forty years at WJF. Performers as diverse and Carla Bley, Cleo Laine, Jane Ira Bloom, and Joanne Brackeen shared their music with fans from all over the country. Jam sessions, clinics, student band performances, and Top New Talent concerts all complimented the Sunday night Main Concerts. Playing on a WJF stage always meant a female musician no longer felt she had to "play like a man," but could proudly play as a woman.
But with success came controversy. Anxious to satisfy fans of all jazz styles, WJF alienated some purists. The inclusion of male sidemen brought on protests. The egos of established, seasoned players unexpectedly clashed with those of newcomers.
Undaunted, Comer, Gregg, and WJF's ensemble of supporters continued the cause. They fought for equality not with speeches but with swing, without protest signs but with bebop.
Changing the Tune will be published by University of North Texas Press and available in spring 2017.
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